Swat this Fly or Why Registerfly Should be avoided at ALL costs

Down with registerfly

A long time ago, there once was a good, helpful, and inexpensive way to register domain names at cheap prices. It was an era when folks were jumping on the HTML band wagon. This is before the myspace kids, the youtube phenomenon and well, before google was as big as it is now. In that time, registerfly was a good choice for getting your site, proudly written in notepad, out on the web. THOSE DAYS ARE GONE.

About two years ago, without my knowledge or consent my .com business domain was silently expired. When I discovered this it was too late, despite my contact info being up to date, Registerfly had expired the domain without notifying me. My choices were slim. I could pay hundreds of dollars to the scumbag that snapped up the domain and parked it or I could make my primary address the .biz derivation. I chose the later, got my client’s sites running again and set up godaddy to snatch the name back when it could.

Here we are later, I’ve never really been able to transfer the .biz because of Registerfly’s constantly changing UI, iron grip on the domain, and archaic tools. My domain came up for renewal on Feb 6th and I began receiving the renewal notices. So On 1/31/07 I once again endured the, yet again changed UI, and attempt to renew my domain. Everything seemed to go smoothly, and I thought I was all set. The renewal messages went away and all was good with the world.

Until I began receiving expiration notices again. I once again logged into the poorly designed UI (notice a theme here?) and found that the money I had applied to the domain was sitting as a balance and not actually applied. Yes I received an email specifically stating I had RENEWED my domain. I applied the money to the domain again.

Here we sit on the 16th of February and my domain is in an expired status. I have submitted trouble tickets and emails and not heard from them. We’re going on a week and a half or so since the first ticket was submitted with NO RESPONSE.

Now the address continues to resolve correctly, but every time I log in to the craptacular ever morphing UI of this 2-bit company I find that my domain sits in the expired bin, and my money is gone. It’s just a bit concerning. What’s the true status of the domain? Why won’t anyone get back to me?

What’s funny, is in the midst of this whole thing I received an email from a company called eNom. Apparently Registerfly was nothing more then a domain reseller. Due to various customer complaints and not fulfilling quality standards, eNom has severed their ties with Registerfly.

Stay tuned to see what happens. I’ve contacted Registerfly yet again, eNom to see if there is some issue there, and the better business bureau. It seems the fox guards the chicken coupe. When your domain expires, Registerfly buys it, then will sell it to you for several hundred dollars.

My word of advice if your looking to register a domain? GoDaddy all the way.

BTW, why don’t I name the domain? With my luck it will be expired and point to something I don’t want advertised. I’ll most likely have to re brand my business, which might not be bad, and continue from there. It’s true I’ve been out of the consulting gig for a yr or two now. I enjoy spending time with my family and friends, and I can live comfortably working as a cubical pilot. In fact, I’ve had the opportunity to work on some very interesting projects that way.

Nikon 70-300 AF-S VR

I’ve been holding out on everyone. Just over a week ago I wandered into Rivers Camera in Dover to pick up something I had ordered, and there, on the shelf was the highly sought out 70-300 AF-S with VR. I’ve been watching this lens slowly hit “In Stock” status and disappear very quickly at all the usual places online. I tentatively asked if it was just a pretty box on the shelf, or if it truly were the 70-300 in stock. The reply was, “Sure is, its the last of three we got from Nikon. Want a look?” YES!

I begin a nature photography class tomorrow, and since I got the lens just over a week ago I’ve been prowling our yard, the U.N.H. campus, and anywhere else I suspect wildlife to be hanging out. I’ve been having so much fun shooting with the lens that it’s taken me this long to sit down and finally write a short review. I’m not going to get in to a lot of technical detail. Others much more qualified have already done that. Rather, I’ll take the approach of posting some of my favorite photos I’ve taken with it over the last week.

Anyone that knows what it’s like to handhold a telephoto out to 300mm will know that without VR, none of these images would have been free of camera shake. I have yet to mount this and my camera on a tripod to make any images. The VR (vibration reduction) is simply amazing. It detects when you are panning and stabilizes, it detects plain old wiggle, and stabilizes. Its just AWESOME.

The only downfall of this lens is that wide angle stops at 70mm. If your looking for a do it all lens, look at the 18-200 with it’s excellent reviews. If your more into trying to convince that blue bird not to fly away just long enough to get a beauty shot, keep the extra 100mm and save about $300.
And now, the photos. I won’t post all here, you’ll have to go to a small sample gallery I put together to see them all.

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I’m a geek, when I hear something out of the norm in the sky, I go running. Now I do so with camera in hand. Both of these went over Sunday morning. The red one is my favorite picture of this weekend. I think it’s the colors and just enough spin to the blades that it doesn’t look awkward like the Huey.

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Two of four Bluebirds at Adam’s point Sunday. These little guys and gals seemed happy to keep their distance and let you photograph them. Get too close and they flew a bit away. There are more samples of this fine species in the gallery, have a look. I even got all 4 of them in the same tree hanging out and one point.

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Bokeh, or how the lens renders out of focus areas is superb. These two photos, though not technically astounding, can speak to that.

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There’s more in the gallery, have a look. There’s some ducks and geese a blue jay, and others. I’ve saved some gems for the gallery so you won’t be disappointed.

Promaster 278DNP AF 80-210mm Lens

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Before I go any further, I want to state loudly, clearly, and with out question the following statements.

  1. If you are looking for top-notch photos from your slr, put up the money for the glass on front.
  2. Most of the time, this means, use the manufacturer lenses for said slr.
  3. Most of the time you get what you pay for.

That said, I could not resist the temptation that lay in wait for me if I chose to bid on one of the 10 Promaster 80-210mm lenses on eBay. What was so attractive? The price. For $9.99 + $12.99 S&H, I had to give it a go. For those at home keeping score, thats less then the average release cost of a DVD, or two weeks of coffee at your local coffee cart.

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With my heart set on taking the gamble, and if I lose, I’m out ~$23 and a good tale. If I win, I get a lens that will hold me over until I have enough money saved for either the Nikon 18-200 w/ vr or 80-300 with vr-II. Now come to think of it, regardless, I end up with a good story.

When I opened the packaging, I was surprised to see that the lens was higher in quality then I thought it would be. Remember, $23. It included a higher quality butt-end cap then included with the kit lens for my D40, so hey, when I get more lenses, I have something to cap the kit lens with. The Promaster also included a lens hood that can easily be used with the lens.

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So back to the tripod, I went. I set it up at 89″ again and snapped off some photos. Now this lens lacks an internal motor like Nikon AFS lenses which means with my D40, I can’t use the auto-focus. Anyone with an internal servo in their Nikon (this statement only excludes the D40 right now) can take advantage of the auto-focus screw on the lens. After a few snaps, I was surprised at what I saw. Granted, I do NOT have a professional eye, but for $23 I was more then satisfied with the results. You’ve been scrolling past pictures using the lens as you read this. Below are two 100% crops from the photos at 210mm. You be the judge, worth the $23 or not? It won’t be the last lens I get that covers this range, and I’ll rely on my kit lens first, but until I can order up a bright and shiny Nikon replacement I’ll have some fun pulling in objects further away then the kit lens would.

Edit I came in to work a little earlier and took a few photos on the way dsc_0106 and dsc_0108. I added a couple to the gallery that’s linked to by any of these photos. I also grabbed a few in the office dsc_0120 and dsc_0121. The later of which is the kit lens at ~18mm to give an idea of the size of the office and how far away that elevator door is. I also forgot to check settings, but as people What I see in these photos is that in certain instances you can get dark areas in the corners. I also see that to get anything with this lens, it will need to be tripod mounted, or rested on something and the timer shutter release must be used. Guess, I’ll be looking fro a travel sized pod and the ML-L3 shutter release.

So what did $23 get me? 1) a good story, kinda crappy, lense, but it will be fun to play around with.

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Photos: D40 v.s. D70

For this review, I took a few photos for comparison with the D40 and the D70. I set up a tripod roughly 80 inches from our Christmas tree and cycled through the zoom levels on each lens. I set both cameras to auto mode, allowing each camera to take the picture as it wishes, which for both cameras meant automatically popping up their flashes and taking control of aperture and ISO equivalent settings. Because there is currently no way to open the raw NEF files from the D40 in Photoshop, I set both cameras to write jpg files at the “fine” setting. So really, what we have, is the typical user settings. So enough with the talk eh? Lets take a look at the photos.

Because of differences in the lenses, I had to settle for close enough to the same. The zoomed in photos will be at 50mm for the D40 and 55mm for the D70. The other photos are both at 35mm. For the photos, the D40 decided that an ISO equivalent of 400 was good, while the 70 chose to shoot at 200. Both cameras went with 1/60s shutter speeds. Below is the D40 shooting at 35mm, f/4.8.

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The next photo is the D70 at the same distance and focal length which ended up shooting at f/4.2

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As you can see the exposure is a bit more washed out on the D40, but not enough so that the picture looks bad. The D70 is a bit darker and subsequently you could bring more out in Photoshop, but to snap a pic and dump to print I think the D40 might be the better choice. Lets zoom in and take a look.

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The D40 at 50mm f/5.6 still looks pretty good. As does the D70 at 55mm f/4.5(below). The D40 still ends up a little washed out, but I’m not a fan of flash on camera anyway, and will always try to shoot without flash first. If you have to use a flash, diffuse it, or better yet use a flash like the SB-800 so you can reflect it of the ceiling or wall to keep your image from showing signs of harsh shadow and flattening of detail.

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The following are cropped from the original size jpegs at 100%. I still needed to re-size them to make them fit in this blog’s framework. It should however, show the detail available from a mere 6.1 megapixels. Again, the D40 followed by the D70, crops taken from the center of the focal area.

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Both of these are from the 50/55mm pictures taken roughly 7ft away at night under typical lighting conditions. (That means no strobes, and no extra lighting for these pictures. With just a little more detail you would be able to tell from the two whit stripes on the bottom of the needles that that indeed is a Balsam Fir. These final two are from upper left corners of the image. Note the D40 stays sharp, where the D70 does not. Now this is most likely due to aperture or something, and if I had bothered to manually set stuff it probably wouldn’t happen. However, except for using a tripod for control of distance and subject, I’m shooting these as a general user would.

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Now I know it’s hard to tell from 400px wide images, so go get yourself a look at the directories with the original photos. The D40 here and the D70 here. For fun, you can find two photos from Ye Olde Coolpix as well. They are less then impressive.

Heard Enough? Order below:

I uploaded the full-size photos with no resizing in these directories, so make sure when you look at one individually click on the link (3008×2000) to see the full size image. So what does this all add up to? When I printed basic quality jpegs from the D70 (I was shooting in Raw+Basic) I was able to take those basic quality jpgs pop them directly into my father’s Epson r500 and print them up with AMAZING quality. The same should be the case with the 40, but I have not yet had an event worth printing from. My friends in photo say that a 6.1 megapixels should be able to easily print up to 20″ without having to first run any fractal software, and even larger with some processing. So who out there (besides the occasional great shot, or pros) is printing larger then 8×10? If your the average user, forget chasing megapixels and go with a camera that you can afford and spend your hard earned money on more glass and a good flash for your camera. But don’t take it from me, read “The Megapixel Myth” article written by a pro.

Help System: D40 dSLR

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One of the interesting features of the D40 is it’s display of settings like shutter speed and aperture. Above you can see a close-up of the screen. For the photo, I set the camera into aperture priority mode. This means I can set how much light is allowed in through the lens. The left concentric circles both illustrate the shutter speed and aperture. In the outer circle we see the shutter speed and in the inner circle we see how open the aperture is. In the picture below, I closed the aperture up and it will help illustrate how the display changes.

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aperture_infoAs we can see, when we allow the camera to control everything except the aperture, it automatically adjusts the shutter speed, and thus the display shows a graphical representation of the settings. This isn’t the only time the camera helps you out. With a simple push of the help button, it will explain what a setting is, what the mode means, or even prompt you if the current settings might result in an underexposed image.

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What you see in these few pictures is a small portion of help that can and will be displayed at a push of a button. There’s a lot more to find, and as I work more with the camera I’ll keep you posted on anything of interest. Next time, I’ll discuss the real truth about mega-pixels, and why 6.1megapixels is more then enough for 80% of people. I’ll also share some photos as examples that simulate real world scenarios for those of us without fancy lighting equipment.

Heard Enough? Order below:

Aesthetics: Nikon D40 dSLR

Let me start off by saying, I am not a professional photographer. Or for some of you, that’s request.getParameter(“Mike”) != “Pro Photographer”. (BTW, I know that’s not a correct string comparison, so don’t write me.) In college I majored in New Media, with a focus in web development. That offered me the unique opportunity to experience classes in art, photography, digital video and of course web development. In my photojournalism I learned the basics, flash on camera is bad, mmmkay (w/ exceptions like fill flash), fill the frame, etc. But when it comes to photography, at this stage in the game, I’m a prosumer. Granted I have my coworkers in photo services at my disposal for questions, which puts me at an unfair advantage to most. But the prosumer angle is the angle I’m taking when I write anything about my camera, it’s ease of use, or it’s picture quality.

D40 v.s. D70 in size

The D40 is small and light, or as one pro said, “cute.” Despite my testosterone telling me, no gadget should be declared cute, I humbly agree. It’s much smaller in size then ‘more professional’ models. At left you can see it side-by-side with a friend’s D70.

Please note however, that the D70 in question also has a larger, faster lens then the D40 with it’s kit lens. However, the body itself is still much smaller, and the kit lens is also smaller and lighter in weight, but a bit slower due to smaller diameter glass and smaller range in aperture.

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Despite the D40 being smaller, it still packs a lot of punch, and offers some feature’s from it’s big brothers and sisters. For instance at right, you can see the drastically larger LCD pulled from the D80 which almost dwarfs the rest of the camera body when looking at it from behind. When looking at it from the top, you’ll also note that the status LCD, familiar to those of us that used modern film SLRs, is missing from the D40, which is a departure from the styling of the D70 and the majority of Nikon’s dSLRs. Don’t worry though, this information can be prompted to display on the LCD, and in some ways, offers the information in a much more understandable fashion. More to come on that, in a later write up.

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The only drawback I find from the physical size of the camera however, is a lack of space for my pinky.

I apologize for the pics, these were taken with me holding my D40 in front of the D70 on a tripod, in an attempt to show my hand size compared to the camera body. What you can see however, is that without squeezing all my fingers together, my pinky is bumped off the camera body where it is left to it’s own devices to find a place to hang out. I don’t find this a major drawback, as I have medium size hands, but anyone with larger hands should try holding the camera for a while before buying it.

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Heard Enough? Order below:

Overall, I rate it’s size as a selling point. As a prosumer, I won’t be conducting multi-hour photo shoots. I’ll be looking to be able to compactly pack this camera to go on vacations, kayaking and to family gatherings, where I don’t want a huge, heavy camera getting in the way.

In my next review, I’ll look at some of the features of the D40, including it’s built in help system and graphic representation of settings.

New Toy: Nikon D40 dSLR

My D40 and I

A while back I came to the realization that my compact Nikon Coolpix 4100, though nice, just wasn’t working out for me anymore. The deciding factor was a series of weddings where out of very many pictures I attempted to take, only a very few came out clear. I had, had enough of the lackluster ability of the small amount of glass and limited ISO range of the small camera. Now don’t get me wrong, this camera does a great job in bright light, and if it weren’t for this camera I would have never gotten pictures of the Bald Eagle family at Umbagog Lake, or gotten pics of a Red Tail Hawk on T-Hall lawn at 10′. However convenient the camera was, it was time to go back to the world of the SLR.

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After a lot of research, I had decided that I would choose to continue with the Nikon line. There are two camps, Canon, and Nikon. Both companies offer superb products, and generally the deciding factor depends on an existing camera system. Where I, a long time ago, had a Minolta SLR, this was not an issue. I was starting from scratch. So why Nikon? I was used to thier cameras already. When a coworker very genrously lent me his D70 to try I came to the realization that I picked up the camera and imediatly began working with it. Another coworker had brought in her Canon, and I found the menu system to be confusing, and the combination of buttons to hold when changing some settings, even worse.

Over the next few days, I’ll begin posting some pictures from the D40 and compare them to the D70, while I have it, and the Coolpix camera.